teoria.com uses cookies. By using our site you agree to the use of cookies. Read our privacy policy for more information. Close
José Rodríguez Alvira
Measures 13 and 14 are in the A Minor key, the subject is presented in its original form (1) and transformed by inversion (2)
A series of imitations present the subject transformed by inversion (measures 15 and 17) and in its original form (measures 16 and 18). These measures takes us to the F Major key:
The same progression used in measures 3 and 11 reappears. This time the subject is in its original form (1) while the augmented motive is inverted (2) and brings us back to C major:
This table compares the harmonic progressions used in measures 3, 11 and 19:
Soprano | Bass | Modulation | |
---|---|---|---|
3 to 4 |
|
![]() Augmented subject |
C major to G major (modulation by ascending fifth) |
11 to 12 | ![]() Augmented subject |
![]() Inverted subject |
D minor to A minor (modulation by ascending fifth) |
19 to 20 | ![]() Subject |
![]() Augmented and inverted subject |
F major to C major (modulation by ascending fifth) |
Listen to the final measures: