The harmonic analysis of the first eight measures of the coda follows. The section concludes with a Neapolitan sixth chord, initially presented in first inversion, followed by a dominant chord of the Neapolitan sixth chord which resolves to the chord in root position:
Several measures of dominant chords follow the Neapolitan sixth chord, leading to the final cadence of the prelude:
© 2019 José Rodríguez Alvira. Published by teoria.com