José Rodríguez Alvira
Harmonic analysis of measures 5 to 12:
|Measures||Differences between measures|
|5 and 9||In the third beat of measure 9, a major VII degree (natural minor scale) replaces the suggested vii degree diminished chord (harmonic minor scale) of measure 5.|
|6 and 10||The i degree chord in measure 6 is replaced by a VI degree chord (the root note of the chord appears in the third sixteenth note).|
|7 and 11||Tonic harmony in bar 11, dominant harmony in bar 7.|
|8 and 12||Dominant harmony in bar 12, tonic harmony in bar 8.|
Harmonic variations will continue for the rest of the canon ...