There are at least three types of augmented sixth chords, commonly referred to as Italian, French, and German augmented sixth chords. These chords are generally used to reach the dominant when playing a cadence in major and minor keys.

The Italian Sixth

The Italian sixth chord is formed on the fourth degree. It is most often in first inversion. Its root is raised, creating an augmented sixth interval with the bass:

Italian Sixth, A minor
Italian Sixth, A minor

Italian Sixth, A major
Italian Sixth, A major

Note: In the case of major keys, the third of the chord must also be changed so that it has the same notes as in the minor key. This is why we say the chord is borrowed from the minor key. This is also true for the other chords of the augmented sixth and the Neapolitan sixth.

The French Sixth

The French Sixth is formed on the second degree. It is a seventh chord. It is most often found in its second inversion. Its third is raised to form an augmented sixth interval with the bass:

French Sixth, A Minor
French Sixth, A Minor

French Sixth, A Major
French Sixth, A major

The German Sixth

The German Sixth chord is based on the fourth degree. It is a seventh chord. It is most often found in the first inversion. Its root is raised to create an augmented sixth interval with the bass:

German Sixth, A Minor
German Sixth, A minor

To learn more about augmented sixth chords click here.

See C > Chord for related entries.




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José Rodríguez Alvira.