Third phrase

The final phrase begins as a recapitulation of the first phrase. Its second measure introduces a chromatic variation in the internal voice. In measure 13, the voices ascend chromatically. The possible chords - especially in measure 14 - are somewhat subjective:

The objective of the previous chromatic movement seems to be the IV degree of measure 15 that leads us to the final cadence:

© 2019 José Rodríguez Alvira. Published by teoria.com


  

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